Flower Portrait (Woman)
Acrylic, Gouache and Pencil on Canvas (Horizontal Diptych), 60" H x 72" W
Originally for the WomanMade show, I was going to create a large painting that studied and explored the color pink, as this is a hue that is typically associated with women and being feminine. Â
But I shifted to thinking about the piece more in terms of the current series I am involved with called Flower Portraits, where I paint large abstracted drawings of flowers. Â
I decided explore both of those ideas together to represent what is to me a distinctly feminine symbol â a pink flower. Â
This flower is not a specific bloom, but one that is made-up - a compilation of the lines and shapes of flowers that I keep with me in my mind. Â
The shades of pink in the painting express the full life cycle of a flower in terms of color.
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The colors speak to the grit and perseverance of the journey where a flower seeds, grows, buds, blossoms, then slowly starts to fade, eventually falling back to the ground where it began. Â
There is beauty throughout the changing stages of being a flower/woman â the colors tell that story as they fluctuate between vibrant and muted; fresh and withered; dewy and ashy; pale and deep. Â
The underlying surface is rough and gritty, representing where a flower comes from symbolically â dirt or soil. Â
Above the horizon line, the upper canvas focuses on the time in the life of a blossom when it is in the state of being exquisitely and most abundantly alive â fully beautiful. Â
The lower horizon tells of the fading, quieting, and greying that happens as the flowerâs life cycle is winding down - when it will be brought back into the earth. Â
On the horizon line itself; the colors cross over into one another â swaying between youthfulness/blossoming and quieting/aging. Â
The piece was done in two parts because I thought one canvas could not express or hold the full story of the flower and her life cycle. Â
Even though this is technically a portrait, I wanted the painting to read in a landscape format with a firm horizon line because I consider the landscape to be extraordinary â something that feels monumental and expansive.
I represent the âwoman as flowerâ symbol as the same â powerful, beautiful, intricate, complex, with a presence that spills over the edges of this canvas.
Originally for the WomanMade show, I was going to create a large painting that studied and explored the color pink, as this is a hue that is typically associated with women and being feminine. Â
But I shifted to thinking about the piece more in terms of the current series I am involved with called Flower Portraits, where I paint large abstracted drawings of flowers. Â
I decided explore both of those ideas together to represent what is to me a distinctly feminine symbol â a pink flower. Â
This flower is not a specific bloom, but one that is made-up - a compilation of the lines and shapes of flowers that I keep with me in my mind. Â
The shades of pink in the painting express the full life cycle of a flower in terms of color.
Â
The colors speak to the grit and perseverance of the journey where a flower seeds, grows, buds, blossoms, then slowly starts to fade, eventually falling back to the ground where it began. Â
There is beauty throughout the changing stages of being a flower/woman â the colors tell that story as they fluctuate between vibrant and muted; fresh and withered; dewy and ashy; pale and deep. Â
The underlying surface is rough and gritty, representing where a flower comes from symbolically â dirt or soil. Â
Above the horizon line, the upper canvas focuses on the time in the life of a blossom when it is in the state of being exquisitely and most abundantly alive â fully beautiful. Â
The lower horizon tells of the fading, quieting, and greying that happens as the flowerâs life cycle is winding down - when it will be brought back into the earth. Â
On the horizon line itself; the colors cross over into one another â swaying between youthfulness/blossoming and quieting/aging. Â
The piece was done in two parts because I thought one canvas could not express or hold the full story of the flower and her life cycle. Â
Even though this is technically a portrait, I wanted the painting to read in a landscape format with a firm horizon line because I consider the landscape to be extraordinary â something that feels monumental and expansive.
I represent the âwoman as flowerâ symbol as the same â powerful, beautiful, intricate, complex, with a presence that spills over the edges of this canvas.